{"id":31,"date":"2019-01-30T04:33:24","date_gmt":"2019-01-30T09:33:24","guid":{"rendered":"https:\/\/tempsite.ostrowski.info\/?page_id=31"},"modified":"2019-02-17T22:59:58","modified_gmt":"2019-02-18T03:59:58","slug":"scarlett","status":"publish","type":"page","link":"https:\/\/ostrowski.info\/?page_id=31","title":{"rendered":"Scarlet(t)"},"content":{"rendered":"\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Scarlet(t)\" src=\"https:\/\/player.vimeo.com\/video\/31286104?dnt=1&amp;app_id=122963\" width=\"660\" height=\"371\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe>\n<\/div><figcaption>Scarlet(t) (2011) excerpt<\/figcaption><\/figure>\n\n\n\n<p>This work uses a feature tracking algorithm to extract Scarlett Johanssen&#8217;s iconic lips from the costume drama &#8220;Girl with a Pearl Earring&#8221;. Extracting this one signifier, Scarlett&#8217;s mouth, wrenches the true subject of the movie \u2013 her lips, and their erotic juxtapositions \u2013 out of the extravagant context in which it is cushioned. The entire film, both sonically and visually, is thus in some way squeezed through it&#8217;s primary feature, the point to which our eyes are drawn: the inaccessible eroticism of the star.<\/p>\n\n\n\n<div id='gallery-1' class='gallery galleryid-31 gallery-columns-2 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ostrowski.info\/?attachment_id=183'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/ostrowski.info\/wp-content\/uploads\/2019\/02\/Scarlett_still01-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ostrowski.info\/?attachment_id=184'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/ostrowski.info\/wp-content\/uploads\/2019\/02\/Scarlett_still03-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ostrowski.info\/?attachment_id=182'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/ostrowski.info\/wp-content\/uploads\/2019\/02\/lip-snake-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/ostrowski.info\/?attachment_id=185'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/ostrowski.info\/wp-content\/uploads\/2019\/02\/scex_still01-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>This work uses a feature tracking algorithm to extract Scarlett Johanssen&#8217;s iconic lips from the costume drama &#8220;Girl with a Pearl Earring&#8221;. Extracting this one signifier, Scarlett&#8217;s mouth, wrenches the true subject of the movie \u2013 her lips, and their erotic juxtapositions \u2013 out of the extravagant context in which it is cushioned. The entire &hellip; <a href=\"https:\/\/ostrowski.info\/?page_id=31\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Scarlet(t)<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":8,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-31","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ostrowski.info\/index.php?rest_route=\/wp\/v2\/pages\/31","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ostrowski.info\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ostrowski.info\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ostrowski.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ostrowski.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=31"}],"version-history":[{"count":4,"href":"https:\/\/ostrowski.info\/index.php?rest_route=\/wp\/v2\/pages\/31\/revisions"}],"predecessor-version":[{"id":374,"href":"https:\/\/ostrowski.info\/index.php?rest_route=\/wp\/v2\/pages\/31\/revisions\/374"}],"up":[{"embeddable":true,"href":"https:\/\/ostrowski.info\/index.php?rest_route=\/wp\/v2\/pages\/8"}],"wp:attachment":[{"href":"https:\/\/ostrowski.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=31"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}